ผู้เขียน หัวข้อ: the beginning of Western literary criticism  (อ่าน 19 ครั้ง)

supachai23442

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the beginning of Western literary criticism
« เมื่อ: กันยายน 15, 2021, 16:30:34 »
Thus, at the beginning of Western literary criticism, the controversy already exists. Is the artist or writer a technician, like a cook or an engineer, who designs and constructs a sort of machine that will elicit an aesthetic response from his audience? Or is he a virtuoso who above all else expresses himself and, because he gives voice to the deepest realities of his own personality, generates a response from his readers because they admit some profound identification with him? This antithesis endures throughout western European history—Scholasticism versus Humanism, Classicism versus Romanticism, Cubism versus Expressionism—and survives to this day in the common judgment of our contemporary artists and writers. It is surprising how few critics have declared that the antithesis is unreal, that a work of literary or plastic art is at once constructive and expressive, and that it must in fact be both.

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